Orson Welles, cineasta de la simulación
نویسندگان
چکیده
La obra cinematográfica del autor Orson Welles compone una reflexión profunda en torno a la idea de simulación. Desde su ópera prima, Ciudadano Kane, hasta última película ficción, Una historia inmortal, sus once largometrajes revelan presencia reiterada diversos objetos simbólicos que así lo evidencian: proyectores y cinematógrafos, máscaras velos, reflejos espejos, luces sombras, o escenarios, acompañan descripción diegética simulaciones falaces representaciones indeterminadas. Mediante el análisis formal diferentes secuencias, pretendemos definir postura ejerce cine frente las ideas verdad falsedad, como naturaleza metadiscursiva operaciones textuales.
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ژورنال
عنوان ژورنال: Tropelías
سال: 2022
ISSN: ['1132-2373', '2255-5463']
DOI: https://doi.org/10.26754/ojs_tropelias/tropelias.2022376252